A generative video work imagining the fictional funeral of H. R. Giger, featuring a biomechanical coffin seemingly designed by the artist himself. H. R. Giger’s Funeral is a generative video work that stages a fictional funeral ceremony for the artist, centred on a coffin whose form is unmistakably inspired by Giger’s biomechanical aesthetic. Suspended by a crane and lowered into an open grave, the coffin appears less as a funerary object than as an extension of the body — fused, armoured, and organic. The work operates as a humorous yet respectful artistic gesture rather than a biographical statement. It does not attempt to represent Giger’s life or death, but instead imagines how his visual language might persist beyond the artist himself, shaping even the rituals that mark an ending. The coffin, seemingly designed by Giger for his own departure, collapses authorship and subject into a single form. Presented in stark monochrome, the scene borrows visual cues from documentary funeral photography while exaggerating them through surreal scale and material logic. The presence of onlookers reinforces the performative nature of mourning, while the machine-assisted burial echoes recurring themes in Giger’s work: technology as surrogate anatomy, and ritual as engineered process. By treating death as another site of aesthetic production, H. R. Giger’s Funeral playfully questions how artistic identity survives its maker, and how cultural memory turns style into structure. The work balances dark humour with reverence, framing the funeral not as an ending, but as one final, self-authored image.